Moshe’s dilemma is very similar to Zack Snyder’s in Sucker Punch (Bunraku’s spiritual twin) to walk amongst the great cinematic Rizzoli & Isles: The Complete First Season (2010) stylists of our time, the Tarantino’s, Almodóvar’s and Scorsese’s of the world, you have to do more than visually parrot cinema but to also funnel that postmodernism through rootable characters and an engaging story of which on both accounts Moshe is found seriously wanting.
This is a big problem because without Entourage: The Complete Seventh Season those things the elaborate fight scenes then simply exist just to look cool thus robbing them of any dramatic significance and emotional weight. The score feels as hollow-y decorational as a videogame.
Bunraku refers to a traditional
Japanese form of theatre where the puppeteers are clearly visible and true to form, this movie feels just as phoney.






